I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.
Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.
It’s a book full of surprises and provocative ideas.
Provocateurs Will Self and Ralph Steadman join forces in this post-millennial meditation on the vexed relationship between psyche and place in a globalised world, bringing together for the first time the very best of their 'Psychogeography' columns for the Independent.
The introduction, 'Walking to New York', is both a prelude to the verbal and visual essays that make up this extraordinary collaboration, and a revealing exploration of the split in Self's Jewish-American-British psyche and its relationship to the political geography of the post-9/11 world.
Ranging from the Scottish Highlands to Istanbul and from Morocco to Ohio, Will Self's engaging and…
This book really got to me because it offers a rich and quixotic history of walking that encompasses the Romantics, the French flaneurs, and a host of other wanderers. In her chapter on San Francisco, Solnit re-maps the space of her home city in a way that outlines her own rediscovery and gave me new eyes to see a place that I love.
A passionate, thought provoking exploration of walking as a political and cultural activity, from the author of the memoir Recollections of My Nonexistence
Drawing together many histories--of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores--Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most…
In this classic radical history of Los Angeles, a city where I spent most of my youth, Davis fuses a subterranean history of LA with a writer’s sensibility that includes a comprehensive view of the city through film and literature as well as his own hard-hitting analysis of class, race, city space, and power.
Davis gave me a way to see urban spaces as maps of political and economic power.
No metropolis has been more loved or more hated. To its official boosters, "Los Angeles brings it all together." To detractors, LA is a sunlit mortuary where "you can rot without feeling it." To Mike Davis, the author of this fiercely elegant and wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias.
In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.
This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself.
The Sweeping Novel of a Twentieth-Century California Life
Love and War in California tells the story, through the eyes of Payton Daltrey, of the last sixty years of an evolving America. The award-winning author Oakley Hall begins his newest work in 1940s San Diego, where his endearing, wide-eyed narrator must define his identity in terms of self, family, and World War II. As his classmates disappear into the war one by one, he becomes obsessed with abuses of power and embroiled with the charming, dangerous Errol Flynn; with the Red Baiting of the American Legion; with the House Un-American Activities…
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
My novel uncovers the hidden past of San Diego—a history inhabited by the likes of Emma Goldman, Henry Miller, Mission Indians, and Theosophists—it captures the underlying emptiness and unease of San Diego circa 2000. My main character, Joe Blake, plays the postmodern flâneur in a theme-park city, drifting with the poetic eye of Baudelaire and the critical sensibilities of Walter Benjamin and the Situationist avant-garde.
Depicting the sex, drugs, and death found in the borderlands, I portray a city where cultures sometimes clash but more often pass one another almost wholly unaffected. I crafted Drift as a Whitmanesque journey that puts readers squarely in its moment as it exposes the underside of modern America.
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on any other single day of the war.
The narrative of No Average Day proceeds hour by hour and incident by incident while focusing its attention on ordinary individuals—clerks, radio operators, cooks, sailors, machinist mates, riflemen, and pilots and their air crews. All were men who chose to serve their country and soon found themselves in a terrifying and otherworldly place.
No Average Day reveals the vastness of the war as it reaches past the beaches in…
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on December 7, 1941, when the Japanese attacked Pearl Harbor, or on June 6, 1944, when the Allies stormed the beaches of Normandy, or on any other single day of the war. In its telling of the events of October 24, No Average Day proceeds hour by hour and incident by incident. The book begins with Army Private First-Class Paul Miller's pre-dawn demise in the Sendai #6B Japanese prisoner of war camp. It concludes with the death…
